Wednesday, October 17, 2012

Enlightening Art




From the classic innovators to the new school artistic team collaborators of today, art has a long history, and will always be with us, and will always reflect our cultural, political, environmental, economical, and daily times which we preside.
German native Oskar Fischinger caught my attention through his stunning films dating back to the 1930’s. His abstraction was not widely accepted, though his international studies brought footage from all over the world. By the age of 35 he already had 30 short films under his belt. While he resided in Germany, the Nazi government abolished abstract art. His English was poor, but his talent was respected in many places. Paramount Pictures brought him to America where he worked diligently with big names like Dvorak’s New World Symphony and on Walt Disney’s classic film Fantasia. Although he worked on many big projects, he was not credited for many of them due to complications of all sorts. His patented 1955 invention The Lumigraph did not get utilized in the way he hoped for, but it did take on new forms decades later.
Ivan Navarro is young, hip, original, and a pioneer when compared to today’s standards. His art is visually captivating and could appear in any major metropolis. The way he makes the brightest lights fade to black creating the illusion of depth in works like “Record” in 2007, make the viewer question how deep exactly does the piece get.  The florescent tubing he manipulates can be a simple arrangement or a mobile or stationary spectacle to make a political statement or just done out of pure enjoyment.
After watching Leo Villareal’s interviews, he is a true visionary on a large scale. The way he can chain a multitude of single light bulbs together to make a concoction to dance to their surroundings, is right up my alley. Villareal’s first big installment consisted of a series of 16-light structure that acted like a strobe light. Villareal respund the 1970’s mathematician John Conway’s light cell board called “The Game of Life” and recreated an LED version of it. This is an interactive light board grid resembling the modern game “Tetris.”  I will be researching grad school in the Interactive Telecommunications Program because of him.  
Island6 opened its artistic doors in 2006 was founded by Thomas Charveriat and became concrete and officially a world reknowned art center spread into four locations in Moganshan Lu, Shanghai. This is a very artistic part of Shanghai. There have been more than 500 artists from all over the world represented here and almost 150 local artists of that region.  LED artist Liu Dau in Mandarin translates to Island number 6. The Liu Dau Collective mixes technology, culture, art, and science. This is a hip group keeping up with current trends and making giant leaps to remain trendy. The Collective focuses on a collaborative effort and not so much the individual. Each installment made on site works like this. Their works have made it to the hippest art fairs worldwide. There is definitely a feel of a community in the air at Island6.
I was just speaking to my trendy friends right up the road in Syracuse last weekend and groups like 40 Below, Syracuse First, the Technology Garden; they are all about community brainstorming and sharing. I believe if you have a great idea and a skill to chip in on the blood, sweat and tears part of the project, but you need help in certain fields, then finding organizations like Island6, and the few I just mentioned from Syracuse, then get with the times and link up with innovators like these groups.

Monday, October 8, 2012

Oct 8 Mirror Blog

The Frieze Foundation

So I dove into the Frieze website and kept clicking on artists until I found something appealing. This print above caught my attention from a distance. I couldn't find much more from this artist, but I did make it to the 303 Gallery and found this artist who makes nice artistic installations using mirrors. Doug Aitken also is featured here. Both Jeppe Hein and Aitken use mirrors and use great precision with their art. Aitken's work is very bold and in your face. Bouncing light and reversing images, then double that up to reverse it, yet the object remains a reflection, now that is what I consider good stuff. I've always been fascinated on how they do what they do.

Jeppe Hein




 "I Only Have Eyes for You." I watched this version of installation. I could only imagine watching this projected on a massive scale like from the DC Mall lawn.




 Leo Villareal has the key to making mystifying light shows. He works with layers. I did not know this. It is where they intersect which makes the light take on random patterns. If I could be his apprentice, I definitely would.

e-flux has a nice write up on Wang Guangyi: "Thing-in-Itself:: Utopia, Pop and Personal Theology Though the link to www.todayartmuseaum.org does not work, I can only see the one oil on canvas painting.  The contrast between the headless figurines in the background and the symmetrical solid and dashed gridded lines has a nice effect. It feels like the viewer is on the outside of a very somber place.

Prof. Kramer, your link to Yes Tiawan has some really nice installations. I navigated my way to the digital arts and found all of the installments visually stunning, but difficult to translate.

Whoa! Talk about not expecting that to happen. Impressive and believable for the most. This video is like catapulting into the movie, Avatar or Battle Star Galactica.The question for some is, "what is art?"

Monday, October 1, 2012

Liquidated


 

  I haven’t experienced as much contemporary art as this class has provided. For some of the installations I feel like my art may be a contender, but putting all of MY eggs in one basket is a bad idea. There are pieces like Liquid Assets which were founded by the Canadian trio Felix Partz, Jorge Zontal and AA Bronson. This collaboration formed in 1969 and the crew came to an end due to the unfortunate deaths of Partz and Zontal.

 Maybe it is the $ symbol alone which caught my attention, or maybe because I am studying typography
and 3D design. It was definitely not the glass test tube streaking through the center, until I took a second
look. It looks like ice, it looks almost eatable, and I bet when liquid is added, it shines even more. Due
to a limited budget back in 1980, the trio released only 10 out of 50 units. Standing at only 13”, these
solid Plexiglas structures must run a fortune. AA Bronson and The Bywater Bros. group are now working
together to complete the remaining 40 copies and added on the fancy lustrous case. To me it was nice
to read this article and find out the remaining copies were finally complete.


  
I have a fascination for abstract art, to a degree. Vasily Kandinsky’s 1911-1913 collection comes to life by his intelligent placement of geometric shapes and wispy brush strokes, and eye-popping colors. There is a Picasso-like quality to his work. He draws in the viewer by believing you know what it is he set out to do, but then you get closer and his fantasy world is in plain view. From a distance I see a mosaic of colors. As I get closer, the strokes are almost that of an amateur, yet the colors remain remarkable. There are definitely a lot of copycats out there mimicking his style.